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봄로야(Bomroya)
《답 없는 공간: 근사한 악몽》(2016-2018)과 《다독풍경》(2019) 프로젝트를 기점으로 물질세계의 뒤죽박죽한 창발을 상상하며 도시와 몸의 불가분한 관계를 탐구하고 있다. 특히 경계가 갖고 있는 개념을 도시생태적, 페미니즘적 의미망을 통해 사유한다.
사적 경험이 미술가, 작가, 음악가 등과의 대화와 협업으로 통과되어, 다른 사건으로 전개 및 발화되는 지점에 관심을 두고, 그렇게 만들어지는 내러티브는 ‘우연적 해프닝’ 혹은 ‘사건 현장’의 단면처럼 표상되어, 드로잉, 텍스트, 미디어, 사진 아카이브 등 다양한 매체로 가시화된다. 2016년부터 페미니스트 아티스트 콜렉티브 노뉴워크로 작업 및 활동을 하며 소수자와 연대하고 실천하는 태도를 배우고 있다.

Bomroya who works as a visual artist, mediator, and curator, majored in Visual Design at Sookmyung Women’s University and earned her Master in the Theory of Art degree from Hongik University. Starting with the projects Answer Without Answer: A Nice Nightmare (2016-2018) and Landscape of Extensive Reading (2019), she has been exploring the inseparable relationship between the city and the body, imagining the chaotic creation of the material world. In particular, She considers the concept of boundaries through the urban-ecological and feminist networks of meanings.

She is interested in the point at which private experiences are passed through dialogues and collaborations with artists, writers, musicians, and others, and are developed and triggered by other events. The resulting narratives are presented as ‘accidental happenings’ or ‘event scenes’ and visualized in various media such as drawings, texts, media, and photo archives. Since 2016, she has been working in the feminist artist collective No New Work, where she has been learning about and practicing solidarity with minorities.

Please email to:
bomroya@gmail.com

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